(A story I wrote sometime last year, using the hyphenated style)
The first carriage; heart-stopping, alcohol-hazed, dry lips mouth-mouthing words of double-dutched ineptitude, he opened the gambit with her. Her. The blonde lobbed hair, wild-hanging calculated cut, wrapping a face denuded of make-up, diffidently demanding adoration.
The second carriage; the dinner diary-dated in heavy pencil, circled and gouged in disbelief, with time counted down in seconds over hours. Clothes mirror-stared in multi-coloured disarrangements, mismatched for a perfect match. The awkward answerings across a table plastic flower posed and house-wined, wished-for lives exchanged in nervous narrations, deciphering the content for half-truths disguised within, eyes mind-reading the true intentions inner concealed. Goodbye smiles slipped between glad glances at a door marked Exit and Freedom, a tentative talk of texts and calls okayed with half-convicted conviction.
The third carriage; inhibitions uninhibited, clothes unclothed, all bared except the soul secret-suspicious, bodies tango-tangled around duvets shredded in unpaced passion with minds conjuring the unshared images of lovers wished for and out of reach. A hand-held touch, relief equal mixed in indecision with window-stared thoughts glass-rebounded, until palms sweat-swipe apart and fumble-find clothes to disguise the cold unpassioned skins before glances can photo-pick flaws smooth-shopped by earlier desperate desires.
The third carriage; families familiarised, glimpses of her in future years, fuller, wrinkle-creased, heavy-thighed. The parents’ ordered house of ordered years, generations frame-ranked and invisible future frames floating for filling by you and her. The father’s strong-handed handshake challenging control, the old order’s last stand to protect their eternal child; the cool light weak touch of the mother resisting a touch tendering ownership of the family’s human shares.
The fourth carriage; aisle-ambled, stained glass streaming, he waits for her, heart tight-folded. ‘I do’s echo-sound, murmured by ghosts of long dust-ground lovers; ‘I don’t’s whisper up cracked stone slabs from heart-broken ethereal voices. Glasses later raised like spirits, clink saluting speeches rewritten till fiction becomes almost truth and drunken cheers drown behind hand-hid gossiped slights.
The fifth carriage; he caught a floating wisp-waft of aftershave unknown, a fleeting flicker lying air-cushioned on her blouse collar and neck skin. The eyes leaving contact scarce seconds early but half-noted in a black-doored corner conscience, the lost distance stare mid conversation self-corrected too late and logged alongside late homecomings flushed and febrile, and the semi-smile lip-lingering with kisses shallow and slight.
The sixth carriage; he waits dark enshrouded, hoodied-hidden, watching and watchful, hands deep pocketed next to sharp-edged retribution. She passes alone, thoughts deep-woven of another, heart beat-beating in recaught teenage angst, sees not him, shadow stood, nor when he enters full light lit at home as she follows a routine daydream dreamt.
The seventh carriage; as he slides a knife blade, sleek and vengeful, skin splitting open like a guilt-weighted soul, and she slides spit-splutter down the door, her eyes unsurprised in understanding.
The eighth carriage; as he turns the blade, wet washed with her blood, and slices himself, their bloods mingling as the train station-stops in sympathy.